Fonotipia Records, or Dischi Fonotipia, was an Italian gramophone record label established in 1904 with a charter to record the art of leading opera singers and some other celebrity musicians, chiefly violinists. Fonotipia continued to […]
Written by Lisa Hix [Article used with permission] This article originally appeared in the December 2014 issue of our magazine – The Discographer Magazine (pp.86-107) In the 2001 movie “Ghost World,” 18-year-old Enid picks up […]
The 78rpm Community (and) Discographer Magazine recently had a conversation with Director/ Producer Alex Steyermark and Producer/Recordist Lavinia Jones Wright on their latest film project – The 78 Project. Tell us what your new film […]
Researched and Prepared by Terry Brown For a biography on Reginald Foresythe, please see article here (part 1) and here (part 2) [Key: ⦿ 78rpm Electric] PAUL HOWARD’S Quality Serenaders: Paul Howard (ts), George Orendorff […]
Written by Wes Williams This is the strange story of how recordings made about 1906 for a cylinder record company turned up on a flat disc manufacture about 1920 with sound fidelity better than I […]
Written by Jonathan Holmes Jonathan Holmes is a member of the 78rpm Collectors’ Community and has an impressive and extensive collection of English Dance Dance and Jazz 78s. He also currently works for the B.B.C. […]
Researched and Prepared by Terry Brown & Tony Middleton The following discography has been compiled by Terry Brown & Tony Middleton, based on Alasdair Fenton’s original, with corrected recording dates/matrix numbers, music titles for Medleys, including […]
Vogue picture records were phonograph records on the “Vogue” label which featured elaborate illustrations embedded in the transparent vinyl of the record. The illustrations on each side of the record were usually related to the […]
Written by Lawrence Davies Lawrence Davies is a blues researcher, pianist and PhD student at King’s College, London. His current interests are devoted to research in blues and jazz, particularly in Britain before the 1960s. […]
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